The Fujifilm X-H1 is a great camera for shooting videos thanks to its variety of resolutions, frame rates, bit rates, film simulations, and aspect ratios, not to mention 5-axis IBIS and features like F-Log.

Intended and designed for videographers and filmmakers, the X-H1 can shoot 4K video and offers a number of shooting modes, aspect ratios, and slow motion options; It also has the 5-axis in-body image stabilization (IBIS), the cinematic Eterna film simulation, and an F-Log Gamma option for wider...

One of the biggest letdowns we found in the X-H1 is its autofocus; It's not that it's bad, but for the price, we expected more; In fact, shooting a moving subject at AF-C almost always yields more than a couple of unfocused shots.

Fujifilm X-H1 review: Does the most advanced X-series live up to its potential?

Fujifilm has created a worthy top-tier entry to its mirrorless X-series line-up with robustness, great image stabilisation and image quality. However, it can't surpass the Panasonic G9 in terms of ease-of-use, video and autofocus.

Excellent image stabilisation (although it's lens dependent for the best performance); Great image quality and detail potential (lens dependent); Robust build quality with full manual controls at your fingertips; LCD top plate is a rare sighting on a mirrorless camera; Large and capable viewfinder; Tri-variable LCD screen;

Smallest autofocus size has issues acquiring focus; Auto white balance and auto exposure sometimes off the mark; No 3.5mm headphone jack without the battery grip; Battery life should go further; No image quality improvement over X-T2; Panasonic G9 has greater video smarts;

With the X-H1, Fujifilm at long last adds in-body IS

Essentially an update of the 2-year-old X-T2 -- the body's been refined and the feature set expanded for the cinema-shooting crowd -- the X-H1 has the distinction of being Fujifilm's first camera to incorporate sensor-shift image stabilization. It's more than late to a party where Sony, Olympus and Panasonic have already fallen asleep on the couch. But better late than never, and its five-axis, five-stop system is certainly a welcome upgrade to one of Fujifilm's best.

In its new flagship APS-C model, Fujifilm's the last of the mainstream mirrorless camera makers to drift from optical stabilization to sensor shift.