We got some early hands-on time with the Sony A7S II last night, a full frame, mirrorless camera we have dubbed "the master of the dark arts" for its impressive low light shooting prowess.

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Sony updates its video and low-light Alpha 7-series CSC with internal 4K recording, better noise control and improved autofocusing. Find out our head of testing's first impressions in her Sony A7S II hands-on review.

After the introduction of the Sony Alpha 7 II and Sony Alpha 7R II it was only a matter of time before Sony introduced the update to the Alpha 7S, its 12Mp, low light and video-centric model which has become popular in the film and television industry.

Thanks for a VERY intelligent & fantastic review; seems I've been lucky to find 2 honest and thorough reviewers of wonderfull photofilm-webpages ! This other reviewer, Andrew Reid, found out in september, that a dark spot appeared where the sun was captured on the Alpha7S2's video (actually just a...

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So far, we're expecting pretty much more of the same–excellent high ISO results, great focusing, but not incredibly detailed images since this is just a 12.2MP sensor. But that's what the A7 Mk II and the A7r Mk II are for.

Bringing its line of full-frame interchangeable-lens mirrorless cameras up to six models, Sony launches the last of the Mark II updates: the A7S II. The upgrades to the video-focused A7S II mostly bring the design and features introduced with the A7R II , but they're pretty important -- some might say essential -- changes for this model's intended user. At its core, however, the A7S II retains the same large 12.2-megapixel, high-sensitivity sensor.

Sony's full-frame Mark II hat trick concludes with an update to its low-light and video-optimized mirrorless model.